I have been practicing the art of recording and engineering from the very beginning, and it’s always been an interest of mine. I grew up, like many others did, tracking to cassette on my dad’s four-track Tascam Portastudio in my Middle to High School years. After completing High School, I was fortunate enough to receive a MacBook and was able to study recording at the University of New Haven and Columbia College Chicago, where I graduated in 2010, receiving a B.A. in Audio Arts & Acoustics with a concentration in Sound Contracting. Since graduating college, I have confined to pursue recording and engineering for others on a part-time basis. Currently, I record, mix, and master projects out of my home and a small studio space on the Northwest Side of Chicago. If you are interested in working together on anything, email me<\/a> for quotes. Check out the links below for chronological list of my work, which is also available as a Spotify Playlist<\/a>.<\/p>\n\n\n\nARTIST<\/th> TITLE<\/th> RELEASE DATE<\/th> RECORD<\/th> MIX<\/th> MASTER<\/th><\/tr><\/thead> You Folk<\/td> Peripeteia<\/a><\/td> 2023<\/td> X<\/td> <\/td> <\/td><\/tr> Nanoseconds<\/td> Mid West Coast<\/a><\/td> 2023<\/td> <\/td> X<\/td> <\/td><\/tr> Jonathan Fraser<\/td>
Too Much Heaven (Bee Gees Cover)<\/a><\/td>2023<\/td> <\/td> X<\/td> X<\/td><\/tr> Jonathan Fraser<\/td> Quei giorni insieme a te<\/a><\/td> 2023<\/td> <\/td> X<\/td> X<\/td><\/tr> You Folk<\/td> Butterflies<\/a><\/td> 2023<\/td> X<\/td> <\/td> <\/td><\/tr> You Folk<\/td> Someday I Hope You Figure Out Your Mind<\/a><\/td> 2022<\/td> X<\/td> <\/td> <\/td><\/tr> New Grass<\/td> Scordatura_Perforations<\/a><\/td> 2021<\/td> <\/td> X<\/td> <\/td><\/tr> You Folk<\/td> Winnowing<\/a><\/td> 2021<\/td> X<\/td> X<\/td> X<\/td><\/tr> Reste<\/td> Reste \/ chiv\u00e0la Split<\/a><\/td> 2020<\/td> X<\/td> X<\/td> X<\/td><\/tr> Jonathan Fraser<\/td> Heaven is at a Distance<\/a><\/td> 2020<\/td> <\/td> X<\/td> X<\/td><\/tr> Jonathan Fraser<\/td> A Mother’s Love so Grand<\/a><\/td> 2018<\/td> <\/td> X<\/td> X<\/td><\/tr> Jonathan Fraser<\/td> Stendhal: Tragedy of the Journeyman<\/a><\/td> 2018<\/td> <\/td> X<\/td> X<\/td><\/tr> this place is actually the worst<\/td> this place is actually the worst<\/a><\/td> 2017<\/td> <\/td> X<\/td> X<\/td><\/tr> this place is actually the worst<\/td> zero friends, one review<\/a><\/td> 2017<\/td> <\/td> X<\/td> X<\/td><\/tr> New Grass<\/td> Fake Drums<\/a><\/td> 2015<\/td> <\/td> X<\/td> X<\/td><\/tr> Cage Match<\/td> Dreamboat<\/a><\/td> 2013<\/td> X<\/td> X<\/td> <\/td><\/tr> Cage Match<\/td> Decapitated Hen<\/a><\/td> 2013<\/td> X<\/td> X<\/td> <\/td><\/tr> Guillemet<\/td> Demo<\/a><\/td> 2011<\/td> X<\/td> <\/td> <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n